寇子皓，20世纪70年代初拜山水画家闫甫先生为师，学习传统山水画，对石涛、髡残、黄宾虹的技法研究颇深，远追元人山水笔意;20世纪80年代初毕业于重庆建筑工程学院。无论是当知青、上大学，还是进机关、办企业，再忙都没有放松过对书法和山水画艺术的追求。

Kou Zihao, who studied traditional landscape painting under the tutelage of landscape painter Yan Fu in the early 1970s, studied the techniques of Shitao, Kun-can and Huang Binhong, and pursued the landscape brushwork of the Yuan dynasty In the early 1980s, he graduated from Chongqing Institute of Architecture and engineering. No matter when the educated youth, university, or into organs, enterprises, no matter how busy have never relaxed the pursuit of calligraphy and landscape painting art.

寇子皓的作品入编《当代中国画名家全集——山水篇》《中国写生作品集》等典籍;刊登于《世界知识画报》《中国收藏》《鉴藏》《时代人物》《当代中国画》《春城晚报》等报刊;2013年，作品《银杏村之秋》获得第13届纽约国际艺术博览会金奖;佳作《乌蒙烟云》被意大利国立阿尔贝蒂娜美术学院收藏;昆明电视台曾对其艺术成就进行专题采访。

寇子皓在艺术创作中坚持“继承＋创新”，主张心境主宰画境,强调正大气象;他在创作探求中，做到与生活相应、与时代合拍、与自然共鸣;在继承优秀文化传统的同时，又将中国文化的内蕴与现代理念有机结合，强调文化、强调人格、强调精神;其巨制宏幅的峻山雄川，取正、取大、取实、取雄强、取磅，作品展现出一种全新的正大气象。

Kou Zihao's works were compiled into the classics such as the complete works of contemporary Chinese painting masters-landscape chapter and the collection of Chinese life-painting works Published in the World Knowledge Pictorial, China Collection, Jianzang, people of the time, contemporary Chinese painting, Chuncheng Evening News, etc. , 2013, “Autumn in Gingko village” won the gold medal at the 13th New York International Art Fair, and “Clouds of smoke” was Albertina, Minas Gerais by the Italian National Academy of Fine Arts Kunming television has carried out special interviews on his artistic achievements.

In his artistic creation, kou zi-hao insisted on“Inheritance + innovation”, advocated that mood dominated painting realm, and emphasized positive atmosphere While inheriting the fine cultural tradition, it organically combines the connotation of Chinese culture with modern ideas, emphasizing culture, personality and spirit; Take positive, take big, take solid, take male strong, take pound, works show a new positive atmosphere.

古人论画：“画如其人，文如其人，自古皆然。”寇子皓先生是位性情中人，豪爽仗义，有士人之气；于人于事，胸怀坦荡，有助于之乐；于书于画，执著真诚，有儒雅之风。他的画风正和他的品格一样，潇洒中不失淳厚，朴拙中又寓性灵。欣赏其花、其鸟、其山水，可以感悟到画家的状态，其笔势的婉媚与泼辣、飞舞与凝重，其布势的开张与内敛、疏密和跌宕，在大笔挥洒的舒卷自如之中，给人以痛快淋漓之感，显示出一吐为快的畅达。他的作品中流露出的笔情墨趣、遥接明代徐渭的气势通贯的风神，近承苦禅随缘成迹的意绪，内含缶翁以篆籀入画的苍辣浑厚，多种美学品格的融入使他的作品展示出承前启后的意义。这一切都源于他重造化的启迪，又重心源的感悟，以至于他在接受传统的同时，总是以当代人的目光与心态冷静地审视，深刻地辨析，把传统中最优秀的精华汇聚自己的艺术体系，化作自己的创作元素，追求一种“法为我用”的随心所欲的境界。

The ancients discussed painting: “Painting is like the person, the text is like the person, since ancient times are all natural.” Mr. Kou Zihao is a temperament person, forthright chivalrous, there is a scholar's spirit; in people in things, open-minded, helpful to the pleasure; in books and paintings, persistent and sincere, there are elegant wind. His painting style is the same as his character, handsome without losing honest, simple and simple in the soul. Appreciate its flowers, its birds, its landscape, you can feel the state of the painter, its style of graceful and fierce, flying and dignified, its layout of the opening and introverted, dense and UPS, in the big pen to spread the volume freely, give a person with a pleasant feeling of dripping, showing a spit for the pleasure of the smooth. In his works, he reveals the charm of his pen and ink, the wind-spirit that connects with Xu Wei's imposing manner in the Ming dynasty, and the spirit of bitter Zen that follows fate, the integration of various aesthetic characters makes his works show the meaning of connecting the past and the future. All this stems from his enlightenment of remaking and his perception of the source of gravity, so that while he accepts the tradition, he always looks at it calmly and deeply with the eyes and mind of contemporary people, the tradition of the best essence of their own art system, into their own creative elements, the pursuit of a“Law for my use” of the arbitrary realm.

寇子皓先生在画面中运用的线条，显得细均有力，于温婉柔和之中显现出内敛的骨力。他的形象塑造具有典型的线条勾勒的工笔画语言特征，但线条又绝不肆意夸张独立于形象的塑造之外，而是巧妙地隐显于轮廓与结构之中，有机地游刃于形象与色彩之间。他的渲染也绝不僵硬板滞，而是水色互融、淡彩慢染，并在渲染之中体现出写的笔意，从而体现了工中见写、繁中求简的艺术特色。去火、去躁、去滞、去板，而求灵、求活、求静、求雅，则一直是先生追求的艺术境界。

Mr. Kou Zihao in the screen of the use of lines, appear fine are powerful, gentle in the show of introverted bone strength. His image creation has the typical features of fine brushwork language outlined by lines, but the lines are not wantonly exaggerated and independent of the image creation, but cleverly hidden in the outline and structure, glide organically between image and color. His rendering is by no means rigid and inflexible, but water and color blend, light color slowly dyed, and in the rendering of the pen to reflect the idea of writing, thus reflecting the work of writing, simple art features. To fire, to impetuosity, to stagnancy, to board, and to spirit, to live, to quiet, to elegant, has been Mr.

厚德载物，有容乃大。直到今天，寇子皓先生一直是工笔与写意并举、速写与水彩齐抓，因而他也善于融会这些各有所长的绘画艺术语言，并由此开拓了他宽广丰厚的艺术境界。其实，不论速写还是水彩，也不论是工笔还是写意，贯通于其中的一直是他对于中国艺术中所蕴含的文化品格的追求与滋养，他不仅追求中国文人画所特有的洒脱率性的写意，而且还要在鲜活生动的形象塑造之中把自己的个性、学养、品格漫漫浸透进去，从而彰显出艺术主体的精神与格调，这才是他终生孜孜以求的至高至纯的境界。

Generosity is the greatest virtue. Up to now, Mr. Kou Zihao has always been fine brushwork and freehand brushwork, sketching and watercolor, so he is also good at blending these have their own artistic language of painting, and thus opened up his broad and rich artistic realm. In fact, no matter the sketch or the watercolor, or the fine brushwork or the freehand brushwork, what runs through it is his pursuit and nourishment of the cultural character contained in Chinese art, he not only pursued the free and easy style of Chinese literati painting, but also immersed his personality, education and character in the vivid image creation, thus reveals the spirit and style of the art subject, which is the supreme and pure realm that he has been pursuing all his life.

作为21世纪的当代画家，寇子皓先生的艺术观与思维方式是与时代同步的。他强调了对生活的深入与观察、突破了传统写意中国画的程式规范，在回归了部分传统文人画的内涵和气质的基础上，由高雅趋向亲近人生的现代性转化。这种转化与古代文人避世、隐逸的超尘已拉开了距离，而与改革开放新时代崛起的民族之魂魄取得了共鸣。他的画，气相搏大沉厚，与中国辽阔的自然景观相契合；他的画豪迈壮美，与当代人民昂扬奋发的精神面貌互为表里。他的艺术创作以传统笔墨、现代意蕴、绵绵深情的艺术个性确立了他在现代中国画坛上的坐标。在大写意创作中，艺术成为他事业的追求和精神寄托，也成为他对艺术的永恒责任。看来，无止境的倾注和求索，将伴随着他的一生，愿他为我们的时代奉献更丰硕的成果。

As a contemporary painter in the 21st century, Mr. Kou Zihao's art view and thinking mode are in step with the times. He emphasized the deep and observation of life, broke through the standard of traditional freehand brushwork Chinese painting, and changed from elegance to modernity, which was close to life on the basis of returning to the connotation and temperament of some traditional literati paintings. This kind of transformation and the ancient literati to avoid the world, seclusion has pulled away from the dust, but with the reform and opening up of the new era of the rise of the soul of the national resonance. His paintings, which are rich and deep, are well-suited to the vast natural landscape of China, and his paintings are magnificent and beautiful, reflecting the energetic spirit of the contemporary people. His artistic creation with traditional brush and ink, modern implication, continuous and affectionate artistic personality has established his coordinates in the modern Chinese painting circle. In his freehand brushwork, art became his pursuit of career and spiritual sustenance, and also became his eternal responsibility for art. It seems that endless devotion and quest, will accompany his life, may he contribute more fruitful results for our times.

免责声明：市场有风险，选择需谨慎！此文转自网络内容仅供参考，不作买卖依据。